Reader Question: Gotham Writers’ Workshop Online
Posted by: Lisa in Web & Tech, Writing Classes and WorkshopsSome of you may have read my posts on my experience taking a Fiction I class last winter at Gotham Writers’ Workshop. Joan sends in this follow-up question:
Would you advise enrollment in an online Gotham Writers’ class?
A little background—I have zero education in creative writing and am really afraid of feeling like a loser in a class packed with MFA types. My self-esteem is solid except where writing is concerned. Any snobby mention of my elementary style will send me quivering to the corner.
So, two sides to my question—is Gotham online worth $445, and do you think a writing class will brutalize my ego?
First, Joan, keep in mind that I took the live version of Gotham’s workshop, so I don’t have firsthand experience with the online classes. But from the description, it sounds as if they try very hard to provide an almost identical experience in terms of the class format—obviously, the nature of the give-and-take with your fellow students and with the instructor will be a little different; you can’t interrupt a lecture with a question. But I’m sure there’s ample opportunity to ask questions and provide/receive feedback within the online format.
In fact, I’ve wondered whether an online class would be even more worthwhile, since fellow writers are less likely to be inhibited in their comments when they’re not looking you in the eye. They might also have more time to review your work and provide more thoughtful critiques than the off-the-cuff variety you get in a classroom. Plus, online classes have two clear advantages: 1) They don’t require you to be in Gotham, i.e., New York, and 2) You don’t have to spend three hours every Tuesday sitting in a classroom; you can work around your own schedule.
But it sounds as if those critiques are exactly what’s worrying you, Joan. I can put your mind at ease about the nature of Gotham’s students: if you’ve never taken a class before, you’ll be starting with their Fiction I class, the same one I took. Few of the students had significant writing experience—certainly none had MFAs or had been published—so you don’t have to worry about the kind of snobbery you describe. I found it to be a very supportive experience, and I think the few people who’d never written a word before felt the same.
You will, of course, have to endure such snobbery at some point if you want to pursue writing as more than a hobby. So a Gotham class might be an easy way to start developing a thicker skin around that fragile ego. One thing Gotham taught me is the value of good feedback: yes, it takes getting used to if you’ve never experienced it, but it’s worth it. The first time you hear “This character doesn’t work for me,” you might interpret it as “I completely suck and should stick to my day job.” But the second and third times, you’ll think, “They’re right; I had a feeling that character didn’t quite work, and now I know why and how to fix it.” You’ll feel gratitude, not shame.
Remember, you’re not going to be among a group of mean-spirited book reviewers (most of us don’t get that lucky). Writers, especially those just starting out, are a generous bunch who like to help one another out. Also, we were strongly encouraged within my Gotham class to separate the writer from his or her work. That is, instead of saying “You don’t maintain the right tone in this paragraph,” we’d say, “The writing shifts tone here.” Given our aforementioned fragile egos, that change in wording does make the negative stuff go down more easily.
I can’t make a financial judgment for you—if you don’t want to spend the money, you could try organizing a local writer’s group instead for feedback. But if you’ve got a little money to spend, I think a workshop experience like Gotham’s would be envigorating to your writing, not discouraging. The best part for me? A structured class forced me to sit down and churn out some stories, not a small thing for a seasoned procrastinator.
Thanks for the question, Joan. If you go ahead with the class, please write me again and let me know how it goes. I’d love to post a review from you on the site. Good luck!
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May 31st, 2007 at 7:59 pm
I’ve been meaning to write up my experience with the online version of the GWW Fiction I class…but I’m too busy with the Fiction II class I just started. I think it’s worth the money — you get 10 weeks of good assignments and lectures, as well as the opportunity to work on 2 stories and have them reviewed by peers and your instructor.
Plus, like Lisa said, one thing the class gives you is incentive, both in the form of deadlines and knowing you spent $400+ of your money. Those combine to be a nice little kick in the pants if you’re having a hard time starting (and completing) a story.
I wouldn’t worry about harsh or nasty criticism. Everyone in my class was very supportive. My only issue, and this isn’t Gotham’s fault, is that almost half the students had stopped contributing by the end of the class. That does get you more attention from the instructor and remaining students, but it’s more fun to have 15+ comments instead of the 6 or 7 that came tricklling in at the end of my class.
And if anyone is curious, Fiction II is a nice step up. I’m very impressed with this next batch of classmates and the submission so far are top-notch. It will definitely push you to improve on what you developed in Fiction I.
May 31st, 2007 at 11:16 pm
Thanks for the input, Alex. Good point about the dwindling effect; the same thing happened in my Gotham class. I think it’s inevitable in any writing class, or in any adult education class that requires homework. People will gradually drop out because they’re too busy or unwilling to do the work. My class ended up with about ten, which worked out fine.
That is another thing to ask yourself before spending that $400, though: Do you have the time and dedication to see it through? Or will you be saying “screw this week’s homework” by week six?
June 4th, 2007 at 5:14 pm
You can also check your local adult education catalog for writing classes. I took several creative writing evening classes at a local middle school, run by a published novelist and poet, that were very interesting and only cost a few bucks.
BTW, every writer from a 6-year-old drafting his first short story to Stephen King goes through “I suck; my work sucks” moods. It’s natural!